One Resolution, Many High Hopes

Photo by Daiga Ellaby on Unsplash

Since 2014 I’ve avoided declaring writing resolutions and tried keeping things simple with one easy goal—reading one book per week for a total of 52 per year.

This year I far exceeded that goal, partly because I embraced a new-found love of audiobooks. I’ll share my bookish end-of-year recap with you in a few weeks, but for now here’s a list of the writing I published in 2018:

Short Stories

From Autumn to June
A young girl struggles with feelings of loss over an aborted sibling.

I’ve lived all my life without knowing you. Fourteen years. I’ll still never know you, but at least now I know of you. You existed once, and nobody gave you a name, and I’m sorry about that.

The Lost Girls
A six-year-old boy experiences a truly haunted Halloween while trick-or-treating with his sister.

He’d never been to the ocean and didn’t know what the waves sounded like when they broke against the shore, but Timothy knew they didn’t sound like the voices of girls.

Articles

A Different Point of View
In this post for Women on Writing, I reveal a trick to getting to know your characters better.

Start at the Beginning—Using Titles as Prompts
In this post for Superstition Review, I discuss writer’s block and how to beat it.

Essays

Although it didn’t get published, I was thrilled when my essay Pure Imagination won honorable mention in Women on Writing’s essay contest in March.

I may not have writing resolutions for 2019, but I have lots of hopes. I hope to find an agent or publisher for one (or all!) of my three unpublished books. I hope to write something completely different, non-literary, and fun (maybe a cozy mystery?). Above all, I hope to keep scribbling away—preserving memories, creating worlds, and wondering at the magic of it all.

Happy New Year!

Are Blog Tours Worth It?

Image from Flickr by manoftaste.de

Image from Flickr by manoftaste.de

This summer I embarked on a national month-long book tour, meeting readers from Missouri, Wisconsin, California, Pennsylvania, and several other places. Of course, it was a virtual book tour–or blog tour–so I saved a lot on gas.

Still, blog tours aren’t cheap, and they’re more work than I ever would have guessed. Now that the tour’s over, several authors have asked me: was it worth it?

As with anything related to book promotion, the answer isn’t simple. It depends on how you measure worth. Many authors understandably measure in numbers, something I try to avoid (and wrote about here). But if you’re curious about the numbers, I tallied a few:

  • Sixteen hosts signed up to participate in the blog tour for The Fourth Wall.
  • Over 900 people entered giveaways for a copy of the book.
  • Dozens of potential readers reached out by leaving comments on blog sites, Facebook and Twitter.
  • Four of my blog hosts reviewed The Fourth Wall and posted their reviews on Amazon and Goodreads.
  • One giveaway winner has already read the book and posted her review on Amazon and Goodreads.
Not bad, right? But there were also surprise outcomes, like an on-going friendship with my tour host (I couldn’t imagine a more perfect pairing; Crystal and I had a blast).

And the fact that having to prepare blog posts about the subjects of my novel and answering pages of interview questions helped renew and focus my passion about the novel’s subjects and themes; it also helped me when it came time for an in-person interview with a local reporter.

Finally, an aspiring writer who visited the first tour stop on WOW! Women on Writing clicked over to my website, found the “classes and critiques” page, and sent an inquiry. She ended up purchasing a critique for her extraordinarily personal memoir, and I was touched and honored.

It’s never easy for a writer to share her work—it takes a great deal of bravery to commit those words to paper let alone place them in the hands of a stranger to be judged. This writer and I worked together on smoothing her essay (it didn’t take much; she’s a fantastic storyteller); I helped her craft a cover letter and she submitted her story, promising to keep me informed. That’s an outcome that can’t be measured.

Ah, but what about the biggie, you wonder. What about book sales?

It’s impossible to tally book sales in relation to the blog tour, even if I could track sales in real time, which I cannot. How would I account for the readers who added The Fourth Wall to their TBR list and purchase it months from now? Those who borrowed it on their Kindle and may later tell a friend? Or the guy researching theater terms, next year, who stumbles across one of the blog posts from the tour? There’s no way to know.

What I do know is I met some wonderful people on my blog tour and had meaningful discussions about writing, publishing, inspiration, music, and dreams (especially lucid ones). I feel like I did something to get the word out about my novel. Which feels pretty great.

And I saved a lot on gas.

Click here to visit the tour.

Where to Get Your Work Critiqued (and Why You Should)

Image from Flickr by LocoSteve

Image from Flickr by LocoSteve

The quickest way to improve your writing is by getting it critiqued. Reading blogs and books is fine too, but it can be redundant—you’re slogging through the same general advice, looking for solutions to your unique writerly problems. We all have them, and they’re hard to spot.

Several years ago, I wrote a story about a single mother taking her daughter to a baseball game. I revised it endlessly, and after a year or so started submitting it. No takers. I set it aside for a few months and re-read it. I thought it was pretty good but had to acknowledge something was wrong. Some minute thing having to do with rhythm and flow in the center of the story, but I couldn’t put my finger on it.

Finally, I submitted it to a contest for ten bucks and paid another ten for a critique. I didn’t win the contest, but I found out what was wrong. The reviewer pointed out that, for a story as short as mine (less than 750 words), I’d overused the “power of three.”

I knew instantly what she meant, because “Oh come on, how did I not see that?!” I eliminated one of the phrases, changed two sentences from passive voice to active voice on her suggestion, and submitted it to Literary Mama. “Flight” was accepted, and became my first published story.

Another benefit from having your work critiqued is knowing what you’re doing right. It’s never obvious, is it? As writers, we’re repeatedly warned that those passages we love most are the ones that should probably die bloody, red-ink deaths. “Kill your darlings!” But that’s not always true. Writers spend years honing their instincts, so it makes sense that their instincts are often right. How do you know when to trust them? You get an objective opinion. Not a family member. Not a friend.

“But objective opinions are still just opinions and therefore actually subjective.” That’s true, smarty pants, which is why when I revised “Flight,” I didn’t follow every suggestion from the reviewer. I recognized a few of them were stylistic preferences, and I chose not to implement them. You have to find that sweet spot—somewhere between paralyzing insecurity and stubborn arrogance—to get the most from a critique and become a better writer. And you do want to become a better writer, right?

Here are four places to get your work reviewed; I have used all four and fully recommend them. For the first three especially, make sure your work is as polished as can be first, because you’re also submitting it. If you’re looking for feedback before you submit your work, skip to #4, or check out my Classes and Critiques page.

1. WOW! Women on Writing: WOW! runs a quarterly flash fiction contest; it costs $10 to submit an entry and an extra $10 for an optional critique. Sound familiar? 😉 Since submitting “Flight” I’ve paid for several more critiques on contest entries, and each time I’ve learned something new. Feedback is broken down into the following categories: subject, content, and technical, with an overview of your story. Once you start using the feedback to improve your work, you just may earn back your entry fees in future winnings (WOW! pays hefty cash prizes).

2. Blue Moon Literary & Art Review: submitting to this magazine costs nothing, but if you want feedback, you can pay $10. I paid the $10 and although my story was rejected, I received a very nice, thoughtful critique. I applied most of the editor’s suggestions and resubmitted to a magazine called Bartleby Snopes. The story was accepted, and was later nominated for a Pushcart Prize. Money well spent! And speaking of . . .

3. Bartleby Snopes: Nathaniel Tower not only runs a fantastic fiction magazine, he is an all-around cool guy, and super generous. There’s no submission fee to submit to Bartleby Snopes, and every submission receives feedback—anywhere from one sentence to several paragraphs–unless the author chooses the “no feedback” option. In the past three years, I’ve submitted to a whole lot of magazines, and this is the only one I’ve come across that guarantees a personal response from the editor. See? Cool guy.

4. Story in Literary Fiction: William H. Coles is a prolific author passionate about the art of literary fiction. His website is loaded with resources for fiction writers—in-depth articles covering dialogue, characterization, point-of-view, narrative arc, humor, conflict, you name it. Mr. Coles offers the following services for free: a manuscript evaluation of up to 1,200 words, a workshop and a “Mentor’s Corner” where you can ask him any question related to literary fiction. Anything you post under these three services will be on the website. That didn’t stop me, though—click around in the workshop and see if you can find me. 🙂

Note that three of the above accept fiction only. Blue Moon Literary & Art Review accepts both fiction and nonfiction.

Good luck! Keep writing.